Scott’s first book, features his body of work in over 300 pages of sexy women, musicians and fashion pictorials. The images take you on a journey from behind the scenes of photo shoots through neighborhoods to hotel rooms. His intimate escapades and raw focus on escorts earn him frequent comparison to other photographers such as Terry Richardson.
Photographer Bradley Scott is all about taking risks, which is why his forthcoming book and exhibition “LOLA” is probably not suitable for prudes.
His provocative, eye-catching body of work will be on show at Black Eye Gallery in Australia next month. Exploring Bradley’s youth and generation through images of sex, music and food, “LOLA” champions a belief that no moment is too sacred or too banal. Bradley’s work is for you “whether you’re horny, hungry or looking for salvation”.
Ahead of the opening, we caught up with the Australian photographer to discuss why honesty works, his love for LA and the role of sex in art.
Lingerie, we all know what it is. Those sexy little outfits you see girls wearing in magazines, pornos and if you’re lucky enough – the bedroom. I don’t know what it is about those see-through panties, the leather bras hooked together by little clips accompanied by those high heels that drives us men crazy; or maybe I do and I just answered my own question? It’s sexy. It makes women ooze sex appeal and gets our blood pumping, but for the life of me I have no idea what the difference is between each thing. As statistics show in most relationships the sex tends to die off after the first year or so, you might be going through something similar? To spice things up it could be as simple as treating her to some lingerie. People see my work and ask me what to buy, thinking I know what I’m talking about but realistically I don’t have a clue so I thought I’d investigate. Now whether you’re looking to add excitement to the bedroom, looking to surprise your girlfriend, lover or wife with a nice gift or just looking to enhance your knowledge in the area I’ve developed some easy to read facts and figures that should help you out.
So when does art actually become porn, and does porn ever become art? Or is porn not art at all?
If art is a reflection of life, and if sex plays such a huge role in all of our lives, why is porn not considered art? Did our moral make up get skewed over the course of the last century?
As humans we’re programmed to develop and design things that make our lives easier or better, whether that be self-cleaning windows or ready to eat food that doesn’t require any complex cooking. We also have the internet – which can be the most powerful tool we own, allowing us to communicate with people anywhere in the world in real time to giving us access to more information at our fingertips than anyone could possibly process. The Internet also has porn… a lot of porn.
Photographer Bradley Scott takes pictures of sex workers. Sometimes it's for his own work and sometimes it's for their own promotional websites. Not surprisingly the images are heavy on sex, nudity, and general adult themes. When I first viewed his shots they suggested another Terry Richardson wannabe. But maybe that's kind of the point. Richardson makes expensive coffee table books that dudes jerk off to. His pictures are the product of a bare fantasy—sex that is as removed from gentle copulation as you can get. It’s about separating the body from the brain. Bradley Scott, whether by accident or design, bypasses the bit where he transforms the model into the subject. By photographing sex workers he addresses the fantasy directly. People try and explain away the role sex plays in art, but are we really just holding out to see tits? Bradley thinks so, and he skips all the faux-intellectualism to get there.
As a 19-year-old in 1963, Ritchie Yorke locked himself in the studio of a Toowoomba radio station and played Little Stevie Wonder's "Fingertips Pt 2" eight times in a row. The on-air protest was an answer to the program manager's threat that he stop playing “nigger music” on his Saturday night rock ‘n’ roll show or face the sack, and had station staff not beaten down the door, Ritchie would have repeated the track indefinitely. At the time, no one realised that he would go on to become on of the world's most respected music journalists, making Editor of Rolling Stone, rubbing shoulders with Jimi Hendrix and Aretha Franklin, becoming friends with John and Yoko, and going on tour with Led Zeppelin. In fact, he still has Jimi's hat after being given it as a gift for appearing as a character witness for the guitarist in a Toronto courtroom, the city he moved to after the unsavory incident on regional Australian radio.
Australian photographer Bradley Scott has seemingly captured the market shooting promotional images for sex workers. Now, he has managed to weave those same sexualized images into his personal work. After moving to Sydney from Perth, Bradley wanted to find a new subject to photograph. The interesting choice to him was sex workers. Initially, Bradley was motivated just to see if it was possible for him. Sometimes he shoots them for his own personal work and other times he gets paid by the workers who use his images for their promotional sites.
David Dare Parker has made a name for himself photographing some of the most dangerous places on Earth. The Perth native has travelled through the Gaza Strip, the West Bank, Iraq and the multitude of military coups and street protests that plague South East Asia.
In between taking photos in the scariest places on earth he still manages to find time for his side projects at home. He’s a founding member of the °South, the Reportage Photo Festival as well as serving as an Australian Ambassador for Nikon.
Jack Picone is a Bangkok based, award winning Australian Photojournalist who has been covering war zones since the early 90s. Picone has travelled from the Middle East to Eastern Europe and Africa—where he covered the 1994 Rwandan Genocide that saw over a million people murdered. In short, he’s the guy to talk to if you have any questions about catching shrapnel in Armenia, the difference between rebel wars and traditional wars, and the importance of documentary photography.
ALLHIPHOP.COM: How long have you been taking photographs for, and how did you get started?
I got involved in photography during the summer of 2006 through a series of events where I met celebrity jeweler Ben Baller who later introduced me to DJ Skee. At the time Skee co-owned an entertainment public relations company called “Hype PR”. I worked with Skee that summer lending my talents to whatever I could at the time. Throughout my months working with Skee I always carried my camera with me to document my experience at Hype. Everything was new and exciting to me, and I felt that photos would help preserve those moments as keepsakes for me later on. After a couple of months working with Skee he asked me if I could take some new publicity shots for him. I gladly accepted his request and in the end Skee liked the portraits I shot of him. A few weeks later I received a call from Skee asking if I was interested in photographing Game and his team for a new project they were working on together entitled “The Black Wall Street Journal Vol. 1”. Again I took advantage of the opportunity and headed down to his office to meet with Skee and Game. That night I shot with Game, Ya Boy, Juice, Skee and a couple of other guys who were present for the studio session. From that night on I dropped by a couple of more studio sessions with Game and began to build a rapport with him. Once I realized that my photographs had something special to them, I dedicated more time to the craft and learned about the art and business of photography. I started shooting regularly and publishing my work online. Soon after, I started receiving commissioned work from different publications and artists. I then took it a step further and implemented my other talents to my work. I think the one that’s complimented my photography work the most is my graphic design talent. It’s allowed me to express myself fully as an artist when shooting and designing projects. The most recognized projects being Nipsey Hussle’s “The Marathon”, DJ Quik’s “The Book of David” and Schoolboy Q’s “Habits & Contradictions. I think those projects earned me recognition and respect on my art and branding execution.
Tim Page is a photojournalist of the old school. He arrived in Saigon, South Vietnam, in 1965, when he was 20 years old. Over the next few years, Tim saw enough Agent Orange and Viet Cong to last anyone a lifetime, but he didn't stop going to dangerous places and taking incredible photos.
After Vietnam, Tim freelanced for Rolling Stone while travelling the world, with stopovers in Laos, Cambodia, Bosnia, and elsewhere. In 2009 he was a UN Photographic Peace Ambassador in Afghanistan. He has set up charity organizations like the Indochina Media Memorial Foundation, which honors the legacy of journalists who died covering wars in that region through workshops and tutoring programs, and mentored young photographers throughout Southeast Asia. Oh, and he’s the author of nine books, including the widely acclaimed Requiem, a collection of pictures from photographers who died in the Vietnam War.
I recently got the chance to share a joint with Tim and talk about his time in the Vietnam War, his time in the world since then, and the impending doom of photojournalism.
Stephen Dupont is one of Australia's most widely acclaimed photojournalists. He's a winner of esteemed prizes such as the Robert Capa Citation, the World Press Photo Award, the W. Eugene Smith Grant, as well as the Robert Gardner Fellowship from Harvard—honours that head a list totalling over 50 awards in the last 20 years. VICE recently took a trip down to his studio in Austinmer, in coastal NSW, to talk about some of the hairy moments on the road to becoming one of the most influential photographers in the world. From his first assignment in 1989 for Playboy, to his first time under fire in the jungles of Sri Lanka, to Afghanistan, where in 2008 he was in the middle of a suicide bomb blast.
Sam Cutler literally wrote the book on touring with rock stars. Putting on shows for bands like Pink Floyd, Fleetwood Mac, the Grateful Dead, Eric Claption’s band Blind Faith, and the Rolling Stones, he became a key player in the newly emerging rock and roll era of the 60s. With modest beginnings at pub gigs, eventually 100 people grew to 500, then 5000 and then exploded in to 500,000 when The Rolling Stones played Hyde Park. Sam lived the highs and lows of touring with rock stars, most notably as tour manager when The Stones headlined the infamous Altamont Free Concert, where Meredith Hunter was stabbed metres from the band. We spoke to Sam about his life on the road and the inner workings of rock and rolls most famous bands.