Photographer Bradley Scott takes pictures of sex workers. Sometimes it's for his own work and sometimes it's for their own promotional websites. Not surprisingly the images are heavy on sex, nudity, and general adult themes. When I first viewed his shots they suggested another Terry Richardson wannabe. But maybe that's kind of the point. Richardson makes expensive coffee table books that dudes jerk off to. His pictures are the product of a bare fantasy—sex that is as removed from gentle copulation as you can get. It’s about separating the body from the brain. Bradley Scott, whether by accident or design, bypasses the bit where he transforms the model into the subject. By photographing sex workers he addresses the fantasy directly. People try and explain away the role sex plays in art, but are we really just holding out to see tits? Bradley thinks so, and he skips all the faux-intellectualism to get there.
Jack Picone is a Bangkok based, award winning Australian Photojournalist who has been covering war zones since the early 90s. Picone has travelled from the Middle East to Eastern Europe and Africa—where he covered the 1994 Rwandan Genocide that saw over a million people murdered. In short, he’s the guy to talk to if you have any questions about catching shrapnel in Armenia, the difference between rebel wars and traditional wars, and the importance of documentary photography.
Tim Page is a photojournalist of the old school. He arrived in Saigon, South Vietnam, in 1965, when he was 20 years old. Over the next few years, Tim saw enough Agent Orange and Viet Cong to last anyone a lifetime, but he didn't stop going to dangerous places and taking incredible photos.
After Vietnam, Tim freelanced for Rolling Stone while travelling the world, with stopovers in Laos, Cambodia, Bosnia, and elsewhere. In 2009 he was a UN Photographic Peace Ambassador in Afghanistan. He has set up charity organizations like the Indochina Media Memorial Foundation, which honors the legacy of journalists who died covering wars in that region through workshops and tutoring programs, and mentored young photographers throughout Southeast Asia. Oh, and he’s the author of nine books, including the widely acclaimed Requiem, a collection of pictures from photographers who died in the Vietnam War.
I recently got the chance to share a joint with Tim and talk about his time in the Vietnam War, his time in the world since then, and the impending doom of photojournalism.